A política das artes e/ou a apropriação institucional:

a partir de alguns casos com os parangolés de Hélio Oiticica

Authors

  • Luís Camillo Osório

Keywords:

aethetics, Art Theory, Curatorial Practices

Abstract

From two scenes involving Hélio Oiticica's Parangolés and the Museum of Modern Art in Rio de Janeiro, the article discusses the relation between art and politics focusing in institutional dispositifs and the practices of exhibiting works of art.

Downloads

Download data is not yet available.

References

BORJA-VILLEL,M; CARRILLO, J; PEIRÓ, R. De la revuelta a la posmodernidad (1962-1982). Madrid: Museo Nacional Centro de Arte Reina Sofia, 2011.

MOUFFE, C. Agonistics: thinking the world politically. Londres: Verso, 2013.

OITICICA, H. Aspiro ao Grande Labirinto. Rio de Janeiro: Rocco, 1986.

RANCIÈRE, J. O Desentendimento. São Paulo: Editora 34, 1996.

RANCIÈRE, J. The Emancipated Spectador. Londres: Verso, 2009.

Published

2017-04-19

Issue

Section

Dossiê: Os limites da arte