Vol. 14 No. 26 (2019): Dossiê: Vilém Flusser e Walter Benjamin

Dossiê: Vilém Flusser e Walter Benjamin

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PARA UMA FILOSOFIA DA LINGUAGEM E CRÍTICA DO CONHECIMENTO

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The gesture of photograph

Vilém Flusser , Nélio Rodrigues Conceição

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Philosophy of technique: art as a conquest of a new field of play (Spielraum) in Benjamin and Flusser

Márcio Seligmann-Silva

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Presumption, Poetry, Deviation: The Art Concept in the Flusserian Thought

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“I see Oedipus in my Garden”: Nature and Culture in Flusser and Benjamin

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The culture manipulation in three moments.

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Autonomy and engagement in art (and science): the concept of technique in Walter Benjamin

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Breaking the locomotive of History is an action against the program of the apparatus: notes on the critique of technique in Benjamin and Flusser.

Fernando Araújo Del Lama , Gabriel Salvi Philipson

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Technical ambivalence and the end of history

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continuity and correspondence: two conflicting principles in Walter Benjamin's work

Georg Otte

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The art to stop being

Thiago Reis

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Between the words and the technical images: Vilém Flusser and Walter Benjamin

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Pathways to a materialist theory of art in Walter Benjamin

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Bild and Abbild: some remarks on technique and image in Walter Benjamin

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Technology Strikes Back

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O FILÓSOFO E O CONTISTA WALTER BENJAMIN

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FILOSOFIA DA CAIXA PRETA: ENSAIOS PARA UMA FILOSOFIA DA FOTOGRAFIA. SÃO PAULO: É REALIZAÇÕES, 2018

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ENTREVISTA COM VILÉM FLUSSER PUBLICADA NO JORNAL DA TARDE DE 23 DE AGOSTO DE 1986

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