A linguagem musical e a filosofia de Adorno

Abstract

It is treated to present in this article in summarized way as music, with its absolute and enigmatic language, supplies model critical of the elaboration of the concept operated for the philosophy of T.W. Adorno. For Adorno it fits to the modern concept to search to surpass what it does not reach, not through a domination on the still bigger object, but yes for the reconciliation with what it resists the operations of identity, the not-identical one to be synthecized in not-violent way for the reason. Ahead of the sublime manifestation of, the so expensive one to the musical manifestation, the rationality if puts in check in as to deal with what it is impossible to determine.