Rigor e Flexibilidade

as linguagens estéticas e epistemológicas em confronto

Abstract

The growing hope that the scientist spirit could clarify some phenomena "unknown", by principles of "clarity and distinctness" were assimilated, determinative way by some writings of sciences humans at the beginning of the last century. This scenario permeated by objective trends which implicitly believed handle the truth caused widespread denial of other perspectives of knowledge before the power offered by scientific discoveries. So, what could we say about the cognitive and communicative power found in traces, the colors, the pantomime of a dance, or the lines of a poem, we should exclude all the meanings contained in these achievements and to limit the thought to a referential notion for utility usage, which is nothing but the normativity of a specific behavior towards the world? Whither this "purification" of language would allow us to achieve some effective knowledge, since it excludes all possibilities of cognitive aesthetic dimension?