Explosions of Sepp

  • Guilherme Foscolo Universidade Federal do Sul da Bahia

Resumo

Trata-se de recuperar a subterrânea influência de Marx na produção teórica que se movimenta a partir do colóquio “Materialidades da Comunicação”. Argumenta-se que o colóquio “Materialidades da Comunicação”, na tentativa de revisitar o conceito marxiano de materialismo, produziu uma versão “de-marxializada” da materialidade como alternativa (e reação) aos excessos de uma cultura pós-moderna da interpretação. No entanto, a de-marxialização do conceito significou, em última instância, esvaziá-lo de sua crítica política, fazendo dele uma ferramenta politicamente inócua. Sugere-se, por fim, que reconectar o conceito de materialidade à sua origem crítica abre toda uma gama de possíveis investigações. 

Downloads

Não há dados estatísticos.

Referências

AGAMBEN, Giorgio. What is an apparatus and other essays. Translated by David Kishik and Stefan Pedatella. Stanford, California: Stanford University. Press, 2009.

BUCK-MORSS, Susan. “Aesthetic and Anaesthetic: Walter Benjamin’s Artwork Essay Reconsidered”. October, Vol. 62 (Autumn, 1992), pp. 3-41, The MIT Press.

FLUSSER, Vilém. Gestures. Translated by Ann Roth. Minneapolis, London: University of Minnesota Press, 2014. FOUCAULT, Michel. “The Order of Discourse”. In: YOUNG, Robert. Untying the Text: A Post-Strucutralist Reader. London and Boston: Routledge & Kegan Paul., 1981.

GUMBRECHT, Hans Ulrich. After 1945: Latency as Origin of the Present. Stanford, California: Stanford University Press, 2013.

GUMBRECHT, Hans Ulrich. Atmosphere, Mood, Stimmung: on a hidden potential of literature. Translated by Erik Butler. Stanford, California: Stanford University Press, 2012.

GUMBRECHT, Hans Ulrich. Our Broad Present: time and contemporary culture. New York; Chichester, West Sussex: Columbia University Press, 2014.

GUMBRECHT, Hans Ulrich. Production of Presence: what meaning cannot convey. Stanford, California: Stanford University Press, 2004.

HARTOG, François. Régimes d’historicité: présentisme et expériences du temps. Paris: Éditions du Seuil, 2003. HEGEL, G.W.F. Aesthetics: Lectures on Fine Art. Translated by T.M.Knox. Vol. 1. Oxford: Oxford University Press, 1975.

HEGEL, G.W.F.Aesthetics: Lectures on Fine Art.Translated by T.M.Knox.Vol. 1. Oxford: Oxford University Press, 1975.

JAMESON, Fredric Postmodernism, or, the cultural logic of late capitalism.London and New York: Verso, 1991.

JUDT, Tony; SNYDER, Timothy. Thinking the twentieth century. New York: The Penguin Press, 2012.

KANT, Immanuel. Kritik der Urteilskraft. In: WEISCHEDEL, Wilhelm (Org.): Immanuel Kant,Werkausgabe, Band 10. Frankfurt am Main: Suhrkamp, 1974.

KITTLER, Friedrich. Gramophone, Film, Typewriter.Translated, with an Introduction, by Geoffrey Winthrop - Young and Michael Wutz. Stanford, California: Stanford University Press, 1999.

MARX, Karl. Capital: A Critique of Political Economy. Vol. 1.Introduced by Ernest Mandel. Translated by Ben Fowkes. London: Penguin Books, 1976.

MARX, Karl; ENGELS, Friedrich. Economic and Philosophic Manuscripts of 1844 and the Communist Manifesto. Translated by Martin Milligan. New York: Prometheus Books, 1988.

MARX, Karl. Grundrisse: Foundations of the Critique of Political Economy. Translated with a Foreword by Martin Nicolaus. London: Penguin Books, 1993.

MCLUHAN, Marshall. Understanding Media: the extensions of man. Cambridge, Massachusetts; London, England: MIT Press, 1994.

WINTHROP-YOUNG, Geoffrey; WUTZ, Michael. “Translator’s Introduction: Friedrich Kittler and Media Discourse Analysis”. In: KITTLER, Friedrich. Gramophone, Film, Typewriter.Translated, with an Introduction,by Geoffrey Winthrop-Young and Michael Wutz. Stanford, California: Stanford University Press, 1999.

Publicado
2019-02-18
Seção
Dossiê Material Musical