Sobre a cultura da deficiência, artes cênicas, teatro social e a prática da beleza

DOI: https://doi.org/10.70446/ephemera.v3i5.4155
Palavras-chave: teatro social, performance, deficiência, beleza, estigma

Resumo

Este artigo discute as artes cênicas em geral e o teatro social em particular como as práticas artísticas que mais promovem a cultura da deficiência. Alguns poucos exemplos significativos de artistas da cena com habilidades diferenciadas são considerados antes de analisarmos os princípios do teatro social e a experiência da Escola de Teatro Social Isole Comprese (Florença, Itália). A partir das proposições do psicólogo estadunidense James Hillman, a escola fundou seu método de ensino pela prática da beleza, também definida como um dispositivo poético servindo de antídoto para contrastar preconceitos, pré-juízos, estereótipos e estigmatizações que pessoas com deficiência sofrem com frequência na sociedade.

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Biografia do Autor

Andrea Pagnes, VestAndPage Venice International Performance Art Week

Andrea Pagnes has been working with Verena Stenke as VestAndPage since 2006. They gained

international reputation operating in performance art, filmmaking, social theatre, and art community projects. Their performance practice is contextual, conceived psycho-geographically in response to social situations, natural and historical surroundings, urban ruins. Through their live works, writings, and intensive workshops that they offer, VestAndPage explore themes such as pain sublimation, suffering, fragility, risk-taking, trust in change, union and endurance to merge from reality poetic elements to contrast the exercise of power and discrimination. Curators of the Venice International Performance Art Week since its inception, their last film Plantain received the best movie award at the Berlin Independent Film Festival (2018). Pagnes and Stenke have collaborated extensively with Isole Comprese Social Theatre Company: Pagnes as actor, performer, dramatist and set designer and together with Stenke as a co-tutor at Isole Comprese Social Theater School for social actors and operators. E-mail: pagnes@vest-and-page.de.

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Author’s note: Quotes from Italian books and texts are my English translation.

Publicado
2020-07-29
Como Citar
PAGNES, A. Sobre a cultura da deficiência, artes cênicas, teatro social e a prática da beleza . Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto, v. 3, n. 5, p. 92-127, 29 jul. 2020.
Edição
v. 3 n. 5 (2020): ago. 2020 - Dossiê Corpos e Deficiência em Cena
Seção
Dossiê

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