Territories of effusion

Kurüche Festival in Wallmapu

  • María Moreno Rayman

Resumo

This text is shown as a bodily processed memory, felt in the need to promote the relationship between historically racialized bodies, thus giving rise to an effusion of multiverse, actively enunciative, and creatively expressive corporealities that convene the Mapuche and Afro-descendant performing arts festival called “Kurüche,” which has been held three times in La Araucanía, in southern Chile, which is the ancestral territory of the Mapuche people. This calls for visibility, multi-expression, and reflection on blackness, the Mapuche, and the Kurüche as a Mapuche-Afro existence that finds a place of manifestation in this instance, constituting a space of significant and precedent-setting effusion around these corporealities and their scenic and political potentialities.

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Biografia do Autor

María Moreno Rayman

Zamife zomo, weaver of vegetable fibers, visual artist and independent Mapuche researcher, shoemaker-seamstress, and intercultural manager of the Lof Chukawko, Mapuche Wenteche territory. She has worked as a workshop leader in Mapuche textile arts and visual arts. As a researcher, she has published “Pegeluwam mapuche zomo ñi az: corpovisibilidad y presencias estético-simbólicas en la mujer mapuche” in 2021 and “pu zamife: tejedoras de fibra vegetal” in 2024, both with Mallolafken editorial, as well as digital publications on Mapuche corporality, body territory, aesthetics of resistance, and Rutran Mapuche silverware. She investigates audiovisual language as a tool for dissemination, research, and artistic creation that is anti-colonial, anti-racist, and counterhegemonic.

Referências

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Publicado
2025-12-05
Como Citar
MORENO RAYMAN, M. Territories of effusion: Kurüche Festival in Wallmapu. Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto, v. 8, n. 16, 5 dez. 2025.