Antonin Artaud and reverberations

introduction

DOI: https://doi.org/10.70446/ephemera.v2i3.4031

Resumen

Antonin Artaud (1896-1948) needs no introductions. His name stands out among the great creators and thinkers of the Performing Arts in the 20th Century, especially when it comes to the search for a theatrical language other than drama, but body-based in its expressiveness and movement – he discusses not only the body as a hieroglyph –  matrix of meanings in his Theatre of Cruelty – but lately the body of the performer as a free, anarchic body as well (the famous, and many times misunderstood, body-without-organs). Artaud’s contributions to construct the contemporary theatre are striking in their innovative and experimenting character, in all the multiplicity, untamedness, physics and intensity of the contemporary scene. Therefore, this special issue intends to widen the space for debate and connect scholars whose own works are pervaded by reverberations of Artaud’s work. 

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Biografía del autor/a

Luciana da Costa Dias

Luciana da Costa Dias is an Associate Professor from Federal University of Ouro Preto, Brazil and founder of Aporia: Performance and Philosophy Studies research group. She is a member of Performance Philosophy research network and was a visiting researcher in Centre for Performance Philosophy at the University of Surrey, UK, for the academic year 2017-2018. She received her split PhD. degree in Philosophy from State University of Rio de Janeiro, Brazil and Albert-Ludwigs-Universität Freiburg, Germany. ORCID: http://orcid.org/0000-0001-5627-5431. E-mail: l.dias@ufop.edu.br .

Tamira Mantovani Gomes Barbosa
[1] Tamira Mantovani Gomes Barbosa is an actress, performer and scholar. She received her Master’s degree from Federal University of Ouro Preto, Brazil, and her degree in Performing Arts from Federal University of Minas Gerais, Brazil. She is a member of Aporia: Performance and Philosophy Studies research group, and her research interests are the connections between performance and philosophy. ORCID: https://orcid.org/0000-0003-3967-9762 . E-mail: tamiramantovanigomes@gmail.com .
Publicado
2019-12-24
Cómo citar
DA COSTA DIAS, L.; MANTOVANI GOMES BARBOSA, T. Antonin Artaud and reverberations: introduction. Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto, v. 2, n. 3, p. 10-12, 24 dic. 2019.
Número
Vol. 2 Núm. 3 (2019): dez. 2019 - Dossiê Antonin Artaud e Reverberações I
Sección
Editorial

Derechos de autor 2019 https://www.periodicos.ufop.br/pp/index.php/ephemera/information/sampleCopyrightWording

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