Interview with Alexandre Américo

on the visualities of dance as temporal compositions

Resumen

In this interview, Brazilian artist from the state of Rio Grande do Norte Alexandre Américo discusses his creative processes in contemporary dance, addressing the composition of images through the relationship between the body and other scenic materialities, based on the works of his poetic project titled Manifestações da Terra. Américo's dance redefines certain concepts of scenic visualities with an emphasis on Afro-centered artistic and philosophical references, particularly regarding the development of costumes as matter on the body. Through a processual practice without hierarchy and grounded in attentive listening to things, landscapes, and their presences, the artist’s work attests to the intrinsic relationship between time and rhythm in scenographic compositions, understanding these materials themselves as scenic events.

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Biografía del autor/a

Heloísa Sousa, USP

PhD in Arts at Universidade de São Paulo, São Paulo, São Paulo, Brazil.

Alexandre Américo, UFRN

PhD candidate in Education at Universidade Federal do Rio Grande do Norte, Natal, Rio Grande do Norte, Brazil.

Citas

LEPECKI, André. 9 variações sobre coisa e performance. Tradução de Sandra Meyer. Urdimento, Revista de Estudos em Artes Cênicas, Florianópolis, v. 2, n. 19, p. 93-99, 2012.

MCRUER, Robert. Teoria Crip: signos culturais entre o queer e a deficiência. Papeis Selvagens Edições: Rio de Janeiro, 2024.

SOUSA, Heloísa. Ensaios sobre o figurino: filosofia e teatralidade. 2024. Tese (Doutorado em Artes) - Programa de Pós-Graduação em Artes Cênicas, Universidade de São Paulo, São Paulo, 2024. Disponível em: https://www.teses.usp.br/teses/disponiveis/27/27162/tde-13052024-145409/pt-br.php . Acesso em: 10 mar. 2026.

Publicado
2026-03-20
Cómo citar
SOUSA, H.; AMÉRICO, A. Interview with Alexandre Américo: on the visualities of dance as temporal compositions. Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto, v. 9, n. 18, 20 mar. 2026.