Documentary theaters:

Mario Celso Pereira Junior; Clóvis Dias Massa

doi:10.70446/ephemera.v7i12.7367

Mario Celso Pereira Junior SESI High School - Pelotas/RS https://orcid.org/0000-0003-3002-5228
Clóvis Dias Massa Universidade Federal do Rio Grande do Sul https://orcid.org/0000-0002-1235-0011

DOI: https://doi.org/10.70446/ephemera.v7i12.7367

Keywords: documentary theater, field of the arts, documentary theaters, research in the performing arts, contemporaneity

Abstract

Contemporarily, innumerable scenic creations are challenging the limits of the documentary genre and proposing new concepts. With the constant development of the field of Documentary Theaters, this study describes some of the documentary forms that strain the boundaries between the real and the fictional. It also shows the potential of these investigations, stimulating relevant reflections for debate and research in the performing arts.

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Author Biographies

Mario Celso Pereira Junior, SESI High School - Pelotas/RS

Actor, playwright, dancer, and circus performer with a specialty in juggling and clown performance. Licensed theater professor from Universidade Federal de Pelotas (UFPel). He holds a master’s degree in Performing Arts from the Graduate Program at the Universidade Federal do Rio Grande do Sul (UFRGS). Student of the distance specialization course in Arts (UFPel). Currently, he is a Theater teacher at the SESI High School - Pelotas/RS.

Clóvis Dias Massa, Universidade Federal do Rio Grande do Sul

Full Professor at the Universidade Federal do Rio Grande do Sul, in which he works in the Theater courses of the Department of Dramatic Art and in the Graduate Program in Performing Arts. He holds a doctoral degree in Literary Theory from PUCRS and a master’s degree from the School of Communications and Arts at the Universidade de São Paulo. Graduated in Performing Arts: with a habilitation in Theatrical Interpretation from UFRGS. Academic researcher in dramaturgy and the history of theater, theatricality, poetics, and theatrical aesthetics. Member of the Theatrical Theory Research Group: History, Dramaturgy, and Aesthetics of the Spectacle, linked to the Directory of Research Groups of CNPq. Coordinator of the institutional research Dramaturgy and Society: Scriptures of Today’s Theater in the Frontiers of Fiction, developed in the Graduate Program in Performing Arts at UFRGS.

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Documentary theaters

a flight over a sea of possibilities

Abstract

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Author Biographies

References