The The poetics of mockery against the far-right disinformation machine in digital platforms

Keywords: disinformation, extreme right, digital activism, digital platforms, digital scene

Abstract

This article examines the attacks by far-right movements on one of democracy’s core
principles: the concept of truth. The analysis details the workings of the global disinformation
machine operated by these groups and proposes strategies to tackle it. Identifying disinformation as
a central factor in the radicalization of the electorate—a force that dissolves shared reality and creates
an episteme detached from other sectors of society —, the text suggests artistic principles to set up
tactics that explore the vulnerabilities of this machine. Digital art is highlighted as a strategic tool
against the far right, exemplified by the experience of the artist herself who, in the 2022 Brazilian
elections, used humor and entertainment on digital media as a form of militancy. The initial work,
aimed at “vote-shifting,” consisted of scenes composed of materials from heterogeneous fields that
poetically reorganized the news from an alternative perspective to that of the mainstream media.
This practice became a strategy to challenge the epistemes of the far right, encouraging a political
debate that transcends stricto sensu rationality. The article perceives digital action as vital to amplify
social movements and deconstruct radicalization, promoting a balanced information environment
and contributing to a more inclusive and shared world.

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Author Biography

Luciana Mizutani, Institute for Psychoacoustics and Eletronic Music

Pós doutoranda, Institute for Psychoacoustics and Eletronic Music (IPEM), Department of Art History, Musicology and Theatre Studies, Gante, Flandres Oriental, Bélgica

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Published
2025-03-28
How to Cite
MIZUTANI, L. The The poetics of mockery against the far-right disinformation machine in digital platforms . Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto, v. 8, n. 15, 28 Mar. 2025.