Vol. 2 No. 3 (2019): dez 2019 - Dossier Antonin Artaud I

DOSSIER ANTONIN ARTAUD AND REVERBERATIONS I

Published: 2019-12-24

Full Issue

• PDF (Português (Brasil))

• Copyright page

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• Editorial

  Luciana da Costa Dias

  • PDF (Português (Brasil))
• Editorial

  Luciana da Costa Dias

  • PDF
• Antonin Artaud and reverberations introduction

  Luciana da Costa Dias, Tamira Mantovani Gomes Barbosa

  7-9

  • PDF (Português (Brasil))
• Antonin Artaud and reverberations introduction

  Luciana da Costa Dias, Tamira Mantovani Gomes Barbosa

  10-12

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• How do you make yourself a theatre without organs? Deleuze, Artaud and the concept of differential presence

  Laura Cull Ó Maoilearca

  13-28

  • PDF (Português (Brasil))

• 'Mirroring the Double and the Cruel' living, uncaging, offending, celebrating, analysing: considerations on a few artistic experiences that echoed Artaud’s thought

  Andrea Pagnes

  29-54

  • PDF
• Antonin Artaud and the grotesque

  James Oliver Daly

  55-72

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• Artaud and the revolution of the body prolegomena to a ‘transcendental erotics’

  Carlos A. Segovia

  73-90

  • PDF (Português (Brasil))
• Adaptations on virtualities of the double in theatre from digital double to digital self

  Carolina Dias de Almeida Berger

  91-107

  • PDF (Português (Brasil))
• Antonin Artaud in the meantime of invention a possible way between psychanalysis and the transformation of language

  Talita Baldin, Paulo Eduardo Viana Vidal

  108-124

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• Deleuze and Artaud cruelty reverberations

  Paulo Petronilio Correia, Rodrigo Peixoto Barbara

  125-141

  • PDF (Português (Brasil))
• The propositions of Antonin Artaud on stage a differentiated body in performance

  Felipe Henrique Monteiro Oliveira

  142-156

  • PDF (Português (Brasil))
• The gesture as inner pulsion in the theatre of cruelty

  Marina de Nóbile da Silveira, Ricardo Carlos Gomes

  157-170

  • PDF (Português (Brasil))